Woman working on laptop with video editing software in office cubicle

The Real Cost of Starting a Live Streaming Studio

A lot of schools and businesses think building a live streaming studio means having to transform a room into a NASA launch center.

It really doesn’t.

The two biggest purchases are usually:

  1. A good computer
  2. Streaming software

That’s basically the entire studio.

I’ve done live shows where we didn’t even use a single physical camera. Every speaker just joined from their own laptop somewhere else in the building. Or somewhere else in the country. Still looked way more like an ESPN broadcast than another painful Zoom grid of faces staring the camera.

The streaming software is what changes the entire look and feel into something more.

Streaming Software

Wirecast (My Favorite)

This is still my favorite option by far, especially for schools.

A lot of live production software feels like it was designed by engineers who wanted revenge on humanity. Wirecast actually feels usable.

Your “power users” can build everything ahead of time:

  • Camera shots
  • Graphics
  • Lower thirds
  • Intro videos
  • Background music
  • Screen shares
  • Layouts

Then during the actual show, students or staff mostly just click shots and push buttons. That’s huge if you want people to actually USE the system instead of being terrified to touch it.

I’ve seen elementary students run productions with Wirecast after adults prebuilt the whole show structure ahead of time.

The best feature built into Wirecast is Rendezvous. You send somebody a link, they click it, and suddenly their laptop becomes part of your live show from literally anywhere.

No “download this software.”
No “create an account and verify your email and restart your computer.”
Just click the link.

That alone makes it easy to add anyone into your stream:

  • Guest speakers
  • Remote interviews
  • Traveling staff
  • Student collaborations
  • Alumni panels
  • Company updates
  • Podcast style shows

The Pro version even includes stock music, photos, and video clips, which saves a ton of time when somebody suddenly asks, “Can we make this look more professional by tomorrow?”

Pros:

  • Easy to learn
  • Easy for schools
  • Looks professional fast
  • Remote guests are ridiculously simple
  • Doesn’t feel overwhelming

Cons:

  • Costs more than free software
  • Bigger productions need stronger computers

vMix

vMix is the “we have a tech person and they’re very excited about it” option.

It’s extremely powerful. Sports productions love it. Event companies love it. If you want advanced replay systems and giant complicated productions, this thing can do almost anything.

But there’s definitely more of a learning curve.

Pros:

  • Extremely powerful
  • Tons of customization
  • Great for sports and events
  • Professional features everywhere

Cons:

  • More complicated
  • Easier to overwhelm beginners
  • Not my first choice for schools

OBS Studio

OBS is the free option everybody eventually experiments with.

It’s impressive for a free product.

A ton of streamers and gamers use it. You can absolutely create great productions with it. But sometimes “free” means spending 4 hours on YouTube learning why one audio setting destroyed your entire show.

Pros:

  • Free
  • Huge community
  • Tons of plugins
  • Great for smaller setups

Cons:

  • More technical
  • Easier to break settings
  • More setup time
  • Can become messy fast

The Computer Is The Only Expensive Part

The computer is doing all the heavy lifting.

The more things you add:

  • Cameras
  • Remote guests
  • Graphics
  • Videos
  • Animations
  • Screen sharing
  • Recording
  • Multiple monitors

…the more power you need later.

This is where most of the budget usually goes if you’re planning ahead.

If somebody says “our stream freezes randomly sometimes,” there’s about an 87% chance the computer is crying for help.

Budget Desktop Options

You do NOT need a $5,000 Hollywood editing machine to start.

Dell XPS Desktop

Estimated price:
Around $1,000 to $1,500 depending on configuration

This is a really solid “normal looking office computer that secretly has some power” option.

Pros:

  • Clean professional look
  • Quiet
  • Good upgrade options
  • Strong enough for most school productions

Cons:

  • Can get expensive fast with upgrades

HP Omen Desktop

Estimated price:
Around $1,200 to $2,000

Gaming computers are fantastic for streaming because live production software and gaming both love powerful graphics cards.

Pros:

  • Excellent performance
  • Handles multiple video feeds well
  • Future proof for larger productions

Cons:

  • Looks like it was designed by Mountain Dew

Lenovo Legion Tower

Estimated price:
About $1,200 to $1,800

Good balance between gaming power and “this won’t scare the finance department.”

Pros:

  • Great cooling
  • Strong performance
  • Reliable for long broadcasts

Cons:

  • Larger size
  • Some upgrades can be proprietary

Budget Friendly Laptop Options

Acer Nitro V

Estimated price:
About $800 to $1,000

One of the better starter options.

Pros:

  • Affordable
  • Good streaming performance
  • Portable

Cons:

  • Fans sound like a jet engine sometimes

ASUS TUF Gaming Laptop

Estimated price:
About $1,300 to $1,700

A really good middle ground if you want something that can grow with you.

Pros:

  • Strong graphics power
  • Handles larger productions
  • Good value

Cons:

  • Heavy
  • Battery life is not winning awards

ASUS ProArt Series

Estimated price:
Around $1,800+

Better if your team also does graphic design, editing, or marketing work.

Pros:

  • Great screens
  • Excellent for creative work
  • More professional looking

Cons:

  • More expensive
  • Not as gaming optimized

Once you have a good computer and streaming software, you aready have the entire foundation of a real studio.

You can absolutely add optional equipment later:

  • PTZ cameras
  • Microphones
  • Audio mixers
  • Green screens
  • Lighting
  • Set pieces

But that stuff comes later.

The computer and streaming software ARE the studio.

Discover more from Matthew Serwedes - Instructional Design & Technology

Subscribe now to keep reading and get access to the full archive.

Continue reading